Bennington College large black text

Current

Spring 2025

Too Many Not Enough

Spring 2025

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Past Exhibitions

We Have Reach

We Have Reach

Spring 2025     We Have Reach is an exhibition of visual and performance art that considers how the Black feminine has been restricted, exploited, expelled, or compelled in relation to taking up space. The curatorial group Studio AGD conceptualized this project to facilitate a conversation about the friction, endurance, and possibility of an empowered…

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Fall 2024

Collective Affinities: Personal Collections from the Bennington College Community

Fall 2024

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Spring 2024

Senior Show 2024
Fully In Person

Spring 2024

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Spring 2024

Milford Graves: A Mind-Body Deal

Spring 2024

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Fall 2023

Connected Diaspora: U.S. Central American Visuality in the Age of Social Media

Fall 2023

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Spring 2023

Senior Show 2023
SPLINTER

Spring 2023

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Spring 2023

Emilio Rojas
tracing a wound through my body

Spring 2023

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Fall 2022

Clarke 22, a film by Corinne Spencer

Fall 2022

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Fall 2022

Allana Clarke
A Particular Fantasy

Fall 2022

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Spring 2022

Senior Show 2022
Dovetail

Spring 2022

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Spring 2022

Lisa Anne Auerbach
Sweater Parade

Spring 2022

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Spring 2021

Senior Show 2021
Relic

Spring 2021

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A wall is filled with a grid of posters hanging closely together; copies of 10 different posters are repeated to cover the wall

Bring It Home

Spring 2021

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Winter 2020 / Spring 2021

Carrie Mae Weems
Resist COVID / Take 6!

Winter 2020 / Spring 2021

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black ellipse on transparent background

Senior Show 2020
A Hole to Climb Into

Online Exhibition

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Soft colored pencil drawing of a brain. small hand written lables point to various areas. These things are written in cursive.

Patricia Johanson
House & Garden

Spring 2020

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still from video of person behind someone, hands on either side of their face

Queer Paranormal
(an exhibition concerning Shirley Jackson and “The Haunting of Hill House”)

Fall 2019

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Fall 2019

Authorship, Architecture, Anonymity: The Impossible Career of Petra Andrejova-Molnàr

Fall 2019

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Fisheye camera photo of a woman on a boat on a lake.

Marie Lorenz
Waterways

Spring 2019

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February 26-March 31, 2019

Keiko Narahashi
and Sarah Peters
The Body Stops Here

February 26-March 31, 2019

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usdan gallery with several works by Torkwase Dyson: two circular canvases and sculptural work of two quadrilateral prisms with one side that is a mirror facing each other.

Torkwase Dyson
Scalar

Fall 2018

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ceramic vessel of arched, bulbous shapes, glazed a pale brown with black and orange speckles.

Vessels: Containment and Displacement, Useful to Grand

Spring 2018

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An installation view of Usdan Gallery with work from the

Unpacking the Vault:
Hidden Narratives in the Bennington Art Collection

Spring 2018

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Person holding blank newspaper-style page with title in cyrillic, sitting on couch.

Sideline Collective
Nothing in the News

Fall 2017

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Fall 2017

Alexandra Bell
Counternarratives

Fall 2017

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a closer image of green and white sticky notes. There is on all of them

Utopia Is No Place, Utopia Is Process

Spring 2016

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Past Events

photo of a man in a period clothing with the text

Zoom on Zoom: The Emerging Etiquette of Online Group Communications Media, or WTF! Another Hour-Long Meeting?! A conversation with Prem Krishnamurthy

Spring 2020

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a projection of man and woman embracing in an auditorium at a movie showing.

Lesbian Hauntings, a lecture by Patricia White

Fall 2019

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Spring 2019

Marie Lorenz: Tide and Current Taxi

Spring 2019

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ceramic sculptures, including a sculpture of a deer.

Sarah Peters
American Eccentricities

Spring 2019

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Dyson Opening. Four students looking at large abstract grey piece on wall.

Torkwase Dyson in Conversation with Horace Ballard

Fall 2018

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Installation photo of a drummer and a trumpet player. Two viewers watch from the left. In the background, there are two abstract paintings. The one on the right is blue, red, and green. The one of the left is mostly white with red, yellow, and black markings.

Taylor Ho Bynum
and Brian Chase

Fall 2017

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