An installation view of Usdan Gallery with work from the "Unpacking the Vault" show installed, including five abstract paintings and a gold colored abstract sculpture

Unpacking the Vault:
Hidden Narratives in the Bennington Art Collection

February 27–April 15, 2018


Unpacking the Vault presents a student-researched exploration of the scope of objects in the Bennington art holdings. The exhibition reveals and honors the eclectic nature of a collection that, built primarily from donations, contains surprises from within and beyond the midcentury-modernist era so famously associated with the college. More than 70 paintings, sculptures, prints, books and other objects are included, by makers ranging from renowned abstract painters such as Agnes Martin to celebrated Bennington alums such as actress Holland Taylor.

Within the show, thematic clusters allow works to play a “six degrees of separation” game of individuals and points of entry into the Bennington narrative. This organizational strategy resists hierarchy, finding common ground for a variety of styles, time periods and artists, and celebrates conversations embedded in the curatorial process of the exhibition.

Unpacking the Vault unfolded in phases. Two classes of students, in fall 2017 and spring 2018, delved into the campus-storage space known as the “vault” in collaboration with Usdan director Anne Thompson and collection manager Erin McKenny. The show opened, on February 27, as curated by the fall class. The spring class continued researching objects in response to the work of their peers, gradually transforming and expanding the show with additional artworks and themes. A closing event marked their collective effort.

Throughout, students worked from a temporary classroom inside Usdan Gallery, a gesture that symbolically fulfilled architectural plans from the 1960s for a dedicated space, under the gallery and next to the vault, for studying objects in the college art holdings.

A Risograph-printed catalog of documents, many culled from Crossett Library archives, gives background on artists and donors. Like the “Vault” exhibition itself, the catalog is not as a comprehensive study but a snapshot of the vibrant community that has surrounded the college over its history and into today.

Unpacking the Vault artists include Kenneth Anger, Richard Artschwager, Tadashi Asoma, Romare Bearden, Ben Benn, Louise Bourgeois, Douglas Brown, Charles Burchfield, David Burliuk, Mary Callery, Anthony Caro, Tony Carruthers, Remy Charlip, Chryssa, Ernestine Cohen, Robert Crombach, Jim Dine, Niklas Eneblom, Joan Brockway Esch, Paul Feeley, Herbert Ferber, Audrey Flack, Jean Pierre Fontanot, Helen Frankenthaler, Adolph Gottlieb, Richard Haas, Stanley William Hayter, Stefan Hirsch, Hans Hofmann, Ralph Humphries, Mel Hunter, Jason Irle, Joan Jonas, Wolf Kahn, Ellsworth Kelly, Risaburo Kimura, Karl Knaths, Kione Kochi, John Louis Laurent, Isabella Lee, Lucy Lee, Alexander Liberman, Richard Lindner, Vincent Longo, Aristide Maillol, Marisol, Agnes Martin, Emily Mason, Alfred H. Maurer, Cyle Metzger, Hans Moller, Robert Motherwell, Kenneth Noland, Dennis Oppenheim, Park, E. A. Park, Larry Poons, Anne Poor, Diego Rivera, Ry Rocklen, Dieter Roth, Lorna Simpson, Robert O. Skemp, David Smith, Kiki Smith, Tony Smith, Bennett Stone Taft, Anne Truitt, Barbara Valenta, Gloria Vanderbilt, Kara Walker, Emmett Williams and Andrea Woodner.